

Some rulers are remembered for what they owned. Mansa Musa, the 14th-century emperor of the Mali Empire, is remembered for what his wealth revealed. Widely described

Every driver who slows for a yellow light is responding to an idea refined by Garrett Morgan, a self-taught inventor born to formerly enslaved parents who

After nearly five years of construction, the Obama Presidential Center opens to the public on June 19, choosing Juneteenth, the day commemorating the end of slavery

Baltimore’s AFRAM festival will mark its 50th anniversary from June 19 through 21, 2026, at Druid Hill Park, with the Mayor’s Office producing a documentary to preserve the celebration’s five decades of Black cultural history. The milestone event features headlining performances by Dru Hill, Mario, The Lox, and Charlie Wilson,

Days after parading the Larry O’Brien Trophy down the Canyon of Heroes, two of the New York Knicks’ biggest stars sat down to revisit the conversation that quietly set the championship in motion. On the latest installment of “The Roommates Show,” filmed at Madison Square Garden and released over the

Amazon founder Jeff Bezos publicly disputed the existence of one of the most-cited wealth-preservation strategies associated with the ultrawealthy. Speaking with CNBC’s Andrew Ross Sorkin on Wednesday, May 20, 2026, in a wide-ranging interview, Bezos rejected the framing of the so-called “buy, borrow, die” tax strategy that has become shorthand in policy debates over how America’s richest founders structure their finances. “There’s no truth to this ‘buy, borrow, die’ thing,” Bezos told CNBC. “I don’t even know where this comes from.” The exchange landed amid a broader conversation in which Bezos also said the bottom half of U.S. earners should pay zero income taxes and brushed off concerns about an AI bubble. The remarks immediately drew attention from policy analysts, tax researchers, and entrepreneurs across the country. What the Strategy Actually Refers To The “buy, borrow, die” framework refers to a wealth-preservation approach where founders or investors buy appreciating assets, borrow against them rather than sell, and use the loan proceeds as effectively tax-free income. Because loans are not classified as taxable income, the cash flow generated from this approach can avoid income tax entirely. The “die” portion of the strategy refers to the step-up in basis tax provision, which allows assets to pass to heirs at their current market value, erasing any capital gains accumulated during the original owner’s lifetime, per CNBC’s reporting. Among the most-cited practitioners of the strategy are Oracle co-founder Larry Ellison and Tesla CEO Elon Musk. Ellison does not take a taxable salary at Oracle but has pledged more than $30 billion of his stock as collateral for loans. Musk has pledged billions of Tesla shares over the years as similar collateral, though Musk has previously said he paid $11 billion in federal and state income taxes in 2021 when he exercised stock options, per

The American Black Film Festival (ABFF) returns to Miami Beach later this month for its 30th-anniversary edition, a milestone moment for one of the longest-running

The classically trained violinist turned tech CEO is rebuilding his Atlanta-rooted music education startup after a sweeping reset — and aiming far higher than where

Atlanta is preparing to celebrate another class of culture-shaping figures. The Black Music & Entertainment Walk of Fame (BMEWOF) has announced its 2026 inductees, a

Byron Allen is making one of the boldest moves of his career. The Detroit-born media entrepreneur announced Monday that his family office, Allen Family Digital,

August Lee Stevens has opened for Smokey Robinson, performed at a Warriors playoff game, and earned a residency at the SF Jazz Festival, the UC Santa Cruz alumna announced in May 2026. Stevens, who graduated from Merrill College in 2022, recently released her album Live at the Troubadour and will open for Seal in May. Stevens wrote her first single, ‘Senses,’ in her UC Santa Cruz dorm room during winter quarter of her freshman year. Most students had left for break, her parents were at a Warriors game, and she was alone on her floor, heartbroken over what she calls ‘boy problems.’ That night became the turning point in her decision to pursue the Bay Area music scene full time. Why Did She Choose Music Over Politics? Stevens arrived at UC Santa Cruz in 2016 planning to study politics and international relations. Donald Trump’s presidential election that year had solidified her interest in documentary film and global affairs. She chose UCSC partly because of faculty emeriti like Angela Davis. By her second semester, though, Stevens felt depressed. ‘Santa Cruz is in the trees and it’s rainy in the winter, and I was in my Hozier era,’ she said. ‘I needed the music. Being in an environment where I was starting new and trying to form my identity as an adult, that’s what made me realize that I could go back to music.’ Photo by egorshitikov on Pixabay Her father is a saxophonist and her mother grew up in Detroit during the Motown era. Songs by Stevie Wonder, Lauryn Hill, and Smokey Robinson scored her childhood. The Miseducation of Lauryn Hill was the soundtrack to her mother’s pregnancy. Stevens also discovered Hannah Montana, Taylor Swift, and Beyoncé. ‘I would go home, and I would write down the lyrics to my favorite Taylor Swift or Hannah Montana song and pretend that I was in a Disney movie writing my own music,’ she said. How Did Early Rejection Shape Her Path? Stevens started piano at age six and picked up cello in elementary school orchestra. When budget cuts threatened to eliminate the music program at her Hercules school, she applied to the Oakland School for the Arts. She was rejected on her first try because she couldn’t read music. Photo by Levi Meir Clancy on Unsplash Stevens had learned through the Suzuki method, which emphasizes immersive learning over technical sight-reading. For a year, she worked with her piano teacher, Laura Lee, to master reading notation. On her second audition, she was admitted. The Oakland School for the Arts modeled its curriculum like a conservatory. By the time Stevens chose a college, she wanted to explore life outside music. That intention lasted one semester. Where Did She Find Community at UC Santa Cruz? Black students made up less than three percent of UCSC’s student body when Stevens enrolled. She found community at the African American Resource and Cultural Center’s Welcome Black BBQ, where she discovered the African American Theater Arts Troupe, part of the

Mikaal Sulaiman walked off the stage at Radio City Music Hall on June 7 holding a Tony Award and a piece of Broadway history. His

June is Black Music Month, the annual observance recognizing the foundational role of Black artistry across nearly every American genre. For the Recording Academy’s Black

In November 2018, Taylor Swift made a decision that had nothing to do with her own bottom line. When she signed with Universal Music Group’s

African dance continues to influence global arts and movements by shaping modern dance styles, music trends, fashion, and social expression. Its rhythms, body movements, and

Grammy Award-winning hip-hop artist Common headlines the 15th annual JuneteenthKC Heritage Festival in the historic 18th & Vine Jazz District this weekend, joined by art exhibitions, theater productions, and local performers celebrating Black culture across Kansas City venues. The two-day celebration arrives as the metro area hosts both local audiences and international visitors during FIFA World Cup festivities. Festival director Makeda Peterson said organizers selected Common because his work reflects the values and history the celebration seeks to honor. The festival has grown into one of the region’s largest Juneteenth celebrations since its inception. Why Common’s Performance Anchors Saturday’s Festival Common’s career has been defined by socially conscious lyrics, storytelling and advocacy, making him more than a recognizable name for festival organizers. Peterson said the rapper’s appeal spans generations because of the substance and message found throughout his music. ‘He comes from a generation of hip-hop where the lyrics really resonate and have meaning and the words have power,’ Peterson told The Kansas City Star. ‘We just think it’ll be an awesome way to represent Kansas City, our culture and also bring a lot of different generations together.’ Local performers including KC Young Ross, Rob Lo the Star, Royal Chief,

The cowboy is one of America’s most enduring symbols, the rugged, horseback-riding figure of open plains and cattle drives. In the popular imagination, shaped by a century of films, dime novels, and television, that figure is almost always white. The historical record tells a different story. Historians estimate that up to one in four cowboys during the great cattle-drive era were Black, a presence so substantial that the modern myth amounts to a deliberate erasure of the people who helped build the American West. Freedom Found on the Open Range The story of the Black cowboy begins with emancipation. When the Civil War ended in 1865, many formerly enslaved men left the South in large numbers, seeking a living and a measure of independence on the wild, roaming plains. A significant number already had the skills the work demanded. In Texas, cattle country since its colonization by Spain in the 1500s, enslaved people had long handled livestock, breaking horses, herding cattle, and working the range. Those skills became valuable currency after the war. The open range offered something rare for Black men in nineteenth-century America: autonomy. The work was brutal, dangerous, lonely, and poorly paid, which is part of why

A decade ago, Black Maternal Health Week was a declaration. In 2026, it is an infrastructure. What began as a campaign to name and confront the crisis of Black maternal mortality has grown into a nationwide network of birth workers, organizers, advocates, and community members who have stopped waiting for broken systems to fix themselves — and started building their own. The 10th annual Black Maternal Health Week, themed “Rooted in Justice and Joy,” officially opened following a community walk in Atlanta on April 11, where families, birth workers, and advocates gathered for what has become an annual rallying kickoff. From that opening walk, the energy spread across the country — city by city, block by block — through a week of events that looked less like awareness campaigns and more like community architecture. A Movement That Grew Its Own Roots When Black Mamas Matter Alliance launched Black Maternal Health Week in 2017, it entered a public conversation that had largely failed to center Black women. Maternal mortality rates for Black women in the United States remain disproportionately high compared to white women — a disparity driven not by biology, but by systemic failures in access, treatment, and trust. The

The American Educational Research Association has announced its 2026 award recipients — and six Black scholars are among the honorees, recognized for work that is directly shaping how this country understands education, race, and student achievement at every level of schooling. The American Educational Research Association announced the winners of its 2026 awards for excellence in education research. “We are honored to recognize the recipients of the 2026 awards, an outstanding and inspiring group of education researchers and leaders,” said AERA Executive Director Tabbye Chavous. “Their contributions continue to advance education research and positively impact countless students, educators, and the environments in which they live, learn, and work.” The 2026 AERA Annual Meeting theme — “Unforgetting Histories and Imagining Futures: Constructing a New Vision for Education Research” — is “an invitation to collectively reflect on how to leverage our disciplinary and methodological diversity in service of unforgetting histories.” The honorees will be recognized at the Awards Ceremony Luncheon at the 2026 Annual Meeting in Los Angeles on April 9. The six Black scholars recognized this cycle represent institutions across the country — the University of Pennsylvania, Florida State University, Vanderbilt University, Ohio State University, and the University of Illinois at

Misty Copeland is not slowing down. After finishing her career as the first Black principal dancer at American Ballet Theatre (ABT) in October 2025, she is focusing on work that helps others. Her recent appearance at the 2026 Oscars showed that she still has a powerful place in the world of dance. She is now using her fame to make ballet more inclusive and to start new projects in film and education. This new chapter is not just about her own dancing, but about making sure the next generation of artists has a clear path to follow. A Historic Return at the 2026 Oscars On March 15, 2026, many people were surprised to see Misty Copeland on stage during the Academy Awards. She performed during a live version of the song “I Lied to You” from the film Sinners. This was a significant moment because she had hip replacement surgery only three months earlier, in December 2025. She wore a special costume for the performance. It was a Firebird outfit from a 1982 production by the Dance Theater of Harlem. The costume included a Sankofa emblem, which is a symbol from Ghana that means “go back and get it.” This

Braiding and protective styles are more than grooming choices. For many Black women, they serve as structured routines that support both hair health and emotional well-being. These styles include box braids, twists, cornrows, and locs. Each method involves securing the hair in a way that reduces breakage and limits exposure to heat or friction. The process of braiding often takes time and care. Whether done at home or in a salon, it can involve hours of focused attention. This time is not only about styling but also about reflection, rest, and connection. Some women use this period to listen to music, talk with loved ones, or simply sit quietly. Protective styles also offer flexibility. They allow for low-maintenance care while preserving length and texture. For those managing busy schedules, these styles can reduce daily stress around grooming. They also provide a way to experiment with color, shape, and accessories without altering the natural hair. Beyond function, braiding carries cultural meaning. It reflects traditions passed through generations and honors techniques developed long before modern hair tools. Choosing a braid pattern or adding beads and shells can be a way to express personal history or celebrate heritage. This cultural significance is shared